When a violent storm causes all the guests to become extremely seasick and the ship itself to crash, a group of survivors land on a seemingly deserted island. In “Triangle of Sadness” - the title refers to the area at the top of the nose and between the eyebrows, often fixed with Botox - male model Carl (Harris Dickinson), insecure about the financial success of his model/influencer girlfriend, Yaya (Charlbi Dean), accompanies her aboard a luxury yacht with a drunken Marxist captain (Woody Harrelson). But besides being trenchant examinations of modern life, his movies are also very fun. Taken together, they compose an informal trilogy on privilege and contemporary male anxiety. Östlund, 48, prides himself on upending the traditions of upscale art cinema, creating biting social satires in his previous films, “Force Majeure” and the Palme d’Or-winning “The Square,” with surgical precision. But none of those titans of international cinema ever won for a film with an outrageously extended sequence of passengers aboard a luxury yacht violently vomiting and soiling themselves during a storm at sea.
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